No full group attended class today, therefore no performances were done.
Performances on Wednesday, March 28 will be re-determined based on whether or not people will be in class on Friday. If students know they will be away on Friday, then their group will perform on Wednesday.
People now have had two additional days to memorize their monologues for this performance, so I am expecting great things!
We will not have a class on Thursday as you will be writing the OSSLT. I wish you all the best as you show off your reading and writing skills!
Tuesday, 27 March 2012
Wednesday, 21 March 2012
Song Lyrics--Exploring the Issue March 19 - March 30
Artists are inspired by the world around them, which include the art created by other artists. Our current task is about using something from another art form--in this case, popular music--to inspire or provoke a three scene performance. You have been put into trios. The performance should be 5 to 10 minutes in length.
Creation/Rehearsal Process: Monday, March 19 - Friday, March 23
(Application Marks for your daily rehearsal, being on time, and focused; setting goals as an actor for vocal and physicality goals for the character you are developing; being a responsible group member) Be able to articulate how you will establish the setting with set, props and/or lines of dialogue.
Performance Dates: Monday, March 26 (Period 4); Tuesday, March 27 (Period 3) and Wednesday, March 28 (Period 2).
Reflection Due: Friday, March 30.
No class on March 29: Good luck on the OSSLT!
Continue reading here if you need to review the performance rubric and/or the reflection questions. Each of you has received the four page yellow handout that lays out the entire task, what each element is worth, and all the questions that are due.
Select one of the song lyrics provided for the class. To what personal or social issue does it relate? What story does it tell? What do you know? What might you assume? Who are the characters in the story? What has happened to them? What are their hopes, fears, dreams, worries, challenges? Explore and expand the issue…the song inspires or provokes this performance, it is not a re-enactment or a music video…….
Creation/Rehearsal Process: Monday, March 19 - Friday, March 23
(Application Marks for your daily rehearsal, being on time, and focused; setting goals as an actor for vocal and physicality goals for the character you are developing; being a responsible group member) Be able to articulate how you will establish the setting with set, props and/or lines of dialogue.
Performance Dates: Monday, March 26 (Period 4); Tuesday, March 27 (Period 3) and Wednesday, March 28 (Period 2).
Reflection Due: Friday, March 30.
No class on March 29: Good luck on the OSSLT!
Continue reading here if you need to review the performance rubric and/or the reflection questions. Each of you has received the four page yellow handout that lays out the entire task, what each element is worth, and all the questions that are due.
NOTE: Each 3 scene performance must include:
a) A monologue (soliloquy or aside) by each of the characters 30 seconds to one minute in length
b) The song that has inspired/provoked this creation, to establish mood at the beginning or ending or through scene changes…or another way that you have brilliantly thought of…..
Evaluation: Creation and Rehearsal Process Application 30 marks March 19 – 23, 2012
Creating and Presenting: Presentation techniques and Technologies
A3.2 use a variety of voice and movement techniques to support the creation of character or atmosphere during rehearsal
Observation/Interview Notes:
Criteria
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Voice:
My Goal for Character
|
/10
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Physicality:
My Goal for Character
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/10
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Attendance/Focus in
Rehearsal
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19
L A
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20
L A
|
21
L A
|
22
L A
|
23
L A
|
/10
|
As you develop your character, consider how he or she thinks and feels about the situation, the people, the objects and the setting around him/her. How might these change as the story develops?
As you work with the other people in your group, be respectful of ideas, thoughts and feelings. Be responsible. Stay disciplined and do not invade the time/space of other groups.
Evaluation: Performance Inquiry 30 Marks; Communication 10 Marks
Creating and Presenting: The Creative Process
A1.1 develop interpretations of issues from contemporary or historical sources as the basis for drama
Creating and Presenting: Elements and Conventions
A2.2 use a variety of conventions to create a distinct voice that reflects a particular global, social or personal perspective (e.g., have actors enter performance space from audience to increase audience connection to the drama; use blocking to focus audience attention on key characters or relationships between characters)
A3.3 use a variety of technological tools (i.e. light, sound, set design, props, models) to enhance the impact of drama works
Criteria
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Level 4
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Level 3
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Stuff to improve….
|
Song Lyric Inspiration
(Group) INQUIRY
A1.1
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Issue identified, explored and interpreted by group and individuals; the performance is a powerful reflection upon the issue
|
Issue identified; explored and/or interpreted by group and/or individual; the performance reflects clear points of view, even if open-ended
| |
Elements/Conventions
A2.2 (Individual)
INQUIRY Individual monologues 30 seconds to 1 minute exploring what a character might think/feel within this situation
COM: voice/physicality used to communicate authentic character in this situation
|
Monologues masterfully used to create powerful distinct voice reflecting a particular perspective on the issue;
authentic character voicing this in the moment
|
Monologues used appropriately to create distinct voice reflecting a perspective on the issue;
believable character is portrayed
| |
Elements/Conventions Technological Tools (Group) INQUIRY A2.2, A3.3 Possibilities include:
Mime, tableau, music, lights, scene changes, asides, narration, voice-over, slow-motion, inside/outside voices, captions, flashbacks, props, staging, blocking, costumes, organizational order (e.g. where mono’s…)
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Selected elements/conventions masterfully used to create a powerful performance with a distinct voice reflecting a particular perspective on the issue
|
Selected elements/conventions used appropriately and/or correctly to create a good performance on the issue
|
Reflection on Group Work Inquiry 15 Marks
Foundations: Responsible Practices
C3.2 identify and apply the skills and attitudes needed to perform various tasks and responsibilities in producing drama works (e.g. use active listening and cooperative problem-solving skills; practice punctuality; use tact in suggesting changes and improvements; demonstrate willingness to accept criticism and build concensus)
Group Observation Checklist/Notes 9 Marks
Group Member
|
Skill/Attitude
|
This person demonstrated this skill/attitude in your group (circle the word that best describes)
|
Actively listened to what I had to say
|
Never Sometimes Usually Always
| |
Tactfully suggested changes and/or improvements
|
Never Sometimes Usually Always
| |
Willingly accepted criticism
|
Never Sometimes Usually Always
| |
Actively listened to what I had to say
|
Never Sometimes Usually Always
| |
Tactfully suggested changes and/or improvements
|
Never Sometimes Usually Always
| |
Willingly accepted criticism
|
Never Sometimes Usually Always
| |
Me!
|
Actively listened to what others had to say
|
Never Sometimes Usually Always
|
Tactfully suggested changes and/or improvements
|
Never Sometimes Usually Always
| |
Willingly accepted criticism
|
Never Sometimes Usually Always
|
Based on this experience, which of these two partners would you prefer to work with again? Why? Explain in detail. (This remains private and confidential.) 6 Marks
Reflecting, Responding and Analysing Knowledge/Understanding: 28 Marks
B1.2 analyse a variety of drama works to compare and assess how they explore universal themes and issues
B1.3 identify aesthetic and technical aspects of drama works and explain how they help achieve specific dramatic purposes
Group
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The message of this performance is:
|
Identify 3 conventions/technical elements used
|
Taylor
Josh
Andy
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Cassie
Nick
Cole
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Janelle
Ari
Carl
| ||
Taylor
Tommy
Alyssa
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Shawn
Mikayla
Tyson
| ||
Erin
Cade
Adam
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Brady
Victoria
Jaidan
|
Knowledge/Understanding – 10 Marks
Select ONE of the performances you watched and answer the following questions.
Group: Title of Performance:
1. Briefly summarize the plot of the performance you have selected.
2. What conflicts were portrayed between and/or within the characters in the play?
3. What conventions/elements did the actors use to establish and/or emphasize
a) Setting
b) Character
c) Conflict
Reflection on My Character and Performance Inquiry 10 Marks
1. How did the events and/or situation of my character within the play affect him/her as the play progressed?
2. In what way(s) am I similar to the character I portrayed in this performance? How am I different? (In other words, would I react the same way he/she does to people and or events as they occur in the play?)
3. If we were to perform this play again, I would make the following changes for the following reasons:
I would keep the following things the same for the following reasons:
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